November 1, 1987; SUNDAY; ALL EDITIONS
SECTION:
LIFESTYLE / T V RECORD; Pg. 040
LENGTH:
1091 words
HEADLINE:
SECOND BANANA: HOW SWEET IT IS!
SOURCE:
Wire services
BYLINE:
Eirik Knutzen
BODY:
"I have never seen anybody throw a piano across the room during
creative
differences between Cybill Shepherd and Bruce Willis," says
Curtis
Armstrong, the
furry little guy who plays Herbert Viola, the
moon-faced,
overeager private eye who became the object of Ms. Dipesto's
pent-up
passions at the Blue Moon Detective Agency on "Moonlighting."
"They carry something like 98 percent of the show and are under
enormous
pressure physically and emotionally, working together 14, 16
hours
a day," Armstrong says with awe. "Under circumstances like that,
with
two very different and creative people, there are occasional
disagreements.
But the media blow them up to brawls. But I've also seen
the
two of them make each other laugh so hard that they can't get
through
a scene. But that isn't interesting."
No fool, Armstrong isn't about to let the culmination of 10
obscure
years in the business slip through his stubby fingers by
dropping
a few negative comments. "In the great scheme of things,
Moonlighting'
is the biggest job I've ever had," says the 5-foot-6,
33-year-old
actor.
"A
lot of people saw me in Revenge of the Nerds' as
the
utterly disgusting Booger, but it's nothing compared to the
millions
who tune into the show every week. I'm also thrilled playing a
character
close to my chronological age for a change, having done a
bunch
of teen-age coming-of-age movies."
There was considerable confusion when he joined the tight-knit and
ever-loving
"Moonlighting" cast four episodes into the 1986-87 season,
according
to Armstrong. "I thought that Herbert was supposed to be in
love
with Ms. Dipesto Allyce Beasley and sweated out my first day on
the
set, because I had never kissed a women on the screen before. The
executive
producer finally took me aside to say that Herbert hated her,
they
just hadn't written it into the script yet.
"Viola was introduced as an accountant working at the Blue Moon on
a
temporary basis, then promoted to a gumshoe without explanation,"
Armstrong
continues. "Though he's mainly been running around helping
David
Addison with odds and ends, he and Ms. Dipesto managed to solve
the
mystery of a haunted house together last season. They're clearly
friends
now, and they're falling in love. The only thing I know for sure
is
Herbert is too eager for his own good."
Armstrong recently completed "Revenge of the Nerds II,"
reprising
his
Booger role. "It isn't remotely different than the original Nerds'
movie,"
he says, "though it may be a little bit better, because it has a
more
linear plot. It's pretty much the same story, and Booger is still
someone
I wouldn't want at my house for dinner. He's so frightened of
everything
that he presents the most vile, slimiest facade imaginable."
The son of a Chrysler Corporation personnel executive, Armstrong
was
born and raised (except for four years in Geneva, Switzerland) in
Detroit
along with a younger sister. He studied journalism for a year at
Western
Michigan University in Kalamazoo, then enrolled for a two-year
program
in the now-defunct Academy of Dramatic Arts in Rochester, Mich.
Following graduation in 1974, Armstrong cofounded a theater group
in
Ann Arbor, Mich., called Roadside Attractions Incorporated (since
moved
to Detroit and dubbed The Attic Theatre). He made his professional
stage
debut as Puck in "A Midsummer Night's Dream." Armed with two years
of
solid acting experience, he moved to New York City and became a
mailroom
clerk.
"With no acting jobs lined up, I spent the next three years as a
mailroom
whiz with intimate knowledge of every antiquated machine
related
to the subject," he says. "My last position was for a giant Wall
Street
brokerage house in Manhattan in 1979. I got a call from a
producer
wanting me for a bus and truck tour in "Da" and ran down to the
production
office to sign the contract on my lunch hour. Then I spent
the
rest of my last day at the brokerage stapling pieces of paper
together.
I still remember that day, I had a feeling of peace, like I
had
been struck with a blunt object."
He kicked around in various regional theater productions until his
first
film, "Risky Business" (1981), in which he portrayed Miles Dalby,
Tom
Cruise's wise-cracking best friend. It was followed in short order
with
supporting roles in "Bad Medicine," "Better Off Dead,"
"One Crazy
Summer,"
and the disastorous "Clan of the Cave Bear" (1986).
" Cave Bear' was the toughest thing I've ever done, and it turned
out
badly, but I wouldn't have missed it for anything," says Armstrong.
"We shot most of it in Vancouver, but spent nine days living in
tents in
the
Yukon at a mining camp called Tungsten. It snowed there in
midsummer,
and the actors
only
wore makeup and patches of animal skin.
Playing Neanderthals, we were all running around basically nude. We
found
ourselves sitting and standing in rather unnatural positions."
Given the vagaries of the entertainment business, Armstrong spent
the
year before "Moonlighting" unemployed. "The nicest surprise about
the
series is that I only expected a onetime guest shot as a body for
Allyce
Beasley to play off. When they brought me back the following
week
and it became apparent that I would be at least a recurring
character,
I spent my first Moonlighting' check on a letter written by
Sir
Arthur Conan Doyle to a soldier in the field during World War I.. "The
letter
is now framed and hanging in my living room with neon
arrows
pointing to it," he jokes. "I'm a Sherlock Homes freak and a
collector
of books, mostly first or early editions by certain authors
including
Washington Irving and Thomas Hardy, so I spend days slobbering
in
used-book shops. I'm also writing a screenplay based on a short story
by
P. G. Wodehouse."
For the past eight years, he has enjoyed a long-distance marriage
with
actress Cynthia Carle (there are no children) as they divide their
time
between New York and Los Angeles apartments. "We're renting on a
month-to-month
basis because we're seldom in the same place at the same
time,"
says Armstrong.
"Cynthia did two plays back-to-back in L. A. while I did Revenge
of
the Nerds II' in Florida this spring. We happened to wrap on the same
day
and finally had a few days together. Then she headed off for a play
in
Washington while I looked for work in New York until Moonlighting'
went
back in production."
It's a hard life but they love it.